"The sharp knife of a short life

I've had just enough time..."


- "If I Die Young" The Band Perry


I see Beauty in many things. And like the ghosts that only speak to you if you notice them, they tell me wondrous tales. With my camera and my thoughts, I captured these as faithfully as I can to share with you. And by doing so, they gave me the reasons. And though the thousand reasons may not all be sweet and some indeed bitter; they are still reasons to live. Come to think about it, that is Life, isn't it?
Showing posts with label Beijing. Show all posts
Showing posts with label Beijing. Show all posts

Wednesday, 10 July 2013

The Crossroad: A Fight In The Dark – Part II



I've had just enough time...   to avoid a fight in the dark

Someone's got my head!


During the Northern Song Dynasty, General Jiao Zan was exiled to Shamen, a desert island for killing the son-in-law of a corrupt official. Yang Yanzhao of the famous Yang family that defended the borders of China against the Liao Dynasty, ordered Warrior Ren to secretly follow and protect the general as he feared the disgraced general is targeted for assassination on the journey. Warrior Ren is a “Wu Sheng” (male character with martial skills that protects a “Painted Face” main character).


Is that my knee?


When General Jiao rested in an inn during the journey, the innkeeper who played the role of a “Wu Chou” (martial clown) sympathized with his plight and pledged to protect him. However, when Warrior Ren turned up, the innkeeper mistook him for the assassin. That night, the innkeeper and Warrior Ren put a fierce fight in complete darkness each mistaking the other to be the assassin.

 
Now where is that sneaky fellow?



There is no singing, dialogues or recitation for this portion of the play but it is easily understood and highly appreciated by the audience as it is comical and full of martial actions allowing the two characters to exhibit their martial artistry. The “Wu Chou” (martial clown) role is to me the more demanding role as in addition to the al the demands of performance, he has to make the audience laugh. The whole play is a re-acting of a fight in the dark though the stage is lighted. The only props are a chair and a table which is creatively used in the fight sequence. This is a good representation of a combat performance and the role of a “Wu Sheng” (warrior) and “Wu Chou” (martial clown).


Saturday, 6 July 2013

The Crossroad: A Fight In The Dark – Part I


I've had just enough time to...   figure a way out of the crossroad

Taken of "The Crossroad" in Liyuan Theatre, Beijing


Continuing my series on the Beijing Opera, this is “The Crossroad” where two adversaries fought in complete darkness. Each assuming the other to be the enemy. Each putting his life on the line for an honourable task. But in the darkness, is anything what they are supposed to be? When you live your whole life responding to what you see, how will you respond to it when you cannot see? Do you trust unfamiliar senses when the one you trust can no longer be trusted?


Black Spy vs White Spy


At the crossroad
a fight in the dark.
How does one fight an enemy
he cannot see? 

Will you trust senses unfamiliar
Or not trust them to be?
Is it danger that you sense
Or is it the danger, your scent?
Will you swing your sword wildly 
Or wait for the spear thrust? 
Will you wait for danger to appear 
Or step forth in the dark? 

What will you do at the crossroads?
What will you do in the dark?
Are you afraid of the discovery?
Or are you afraid of the mark?

Wednesday, 16 January 2013

Farewell To My Concubine Part II - The Song of Gaixia (垓下之战)



I've had just enough time to...   lament the suicide of the concubine


Taken of the "Farewell to My Concubine" opera show in Beijing


Xiang Yu, the King of Chu is in a desperate situation. Trapped and surrounded by enemies with superior forces on all sides, he is losing hope for the first time since he took up arms. The "Chu Song from Four Sides" (四面楚歌) employed by their enemies reminded them of home, sapped their remaining spirit and caused defection. But his faithful horse and favourite concubine refused to leave his side. He lamented with this song – 

力拔山兮气盖世。 Once, my unparallel spirit lifted the hills 
时不利兮骓不逝。 But the time is against me and my horse would not 
                                leave me 
骓不逝兮可奈何!    If my horse would not leave me, what can I do? 
虞兮虞兮奈若何!    Oh, my precious Yu, what fate will befall thee?





Lady Yu begged to die by his side but Xiang Yu strongly refused. She tried to lift his spirit by drinking with him and performed the sword dance for him and sang - 

汉兵已略地,     The Han army has invaded our land 
四面楚歌声。  We are surrounded by Chu songs from all sides 
大王义气尽,     My king's spirit is broken 
贱妾何聊生      What reasons have I to live?



This role is traditionally played by a male


She blamed herself for the predicament her king is in and felt responsible for the downfall of the Chu dynasty. When Xiang Yu’s attention was distracted, she committed suicide by slitting her throat further breaking Xiang Yu’s spirit. She was only 16 when the king said farewell to his concubine.


_______

霸王別姬 Farewell My Concubine Fan MV




Saturday, 12 January 2013

Farewell To My Concubine Part I - The Battle of Gaixia (垓下之战)




I've had just enough time to...   join in the Battle of Gaixia


Taken of the Farewell to My Concubine Opera in Beijing


Betrayed by former friend and ally Liu Bang with a fake peace treaty, Xiang Yu was constantly harassed and ambushed on the retreat back to Western Chu. A trap was sprung in the canyon near Gaixia but Xiang Yu was too intelligent to fall for it and ordered his troops to head back to his capital through the main road. But then his beloved concubine Yuji travelling with the convoy was captured in one of the ambush and brought deep into the canyon of Gaixia…

In spite of knowing he will be rushing into a trap, the King of Chu ordered the rest of his tired men back to the capital while with a smaller troop of 100,000 men tried to save his wife. Once in the canyon, Liu Bang’s crafty ally and mastermind of the trap Han Xin wielded his “ambush from ten sides”  (十面埋伏). Though he managed to save his wife, he and his troop were hopelessly trapped by a superior and fresh troop of 300,000 Han soldiers and were gradually decimated.





As night fall, the Chu troops were helmed in by enemies from all sides and the situation was desperate. Han Xin ordered his men and the captured Chu soldiers to sing Chu folk songs employing the tactic  "Chu Song from Four Sides" (四面楚歌) to break the spirit of the remaining Chu soldiers causing some to desert the army. Yuji stopped Xiang Yu from taking actions against his own men. Calling for wine, Xiang Yu drank and lamented his situation with a poignant composition known as “The Song of Gaixia”. On the brink of total defeat, they spent their intimate moments together and Lady Yu performed the last sword dance for her king

Next post: The Song of Gaixia.


_______

Pipa master Pui-Yuen Lui "Ambushed from Ten Sides", Los Angeles, California 2000 琵琶演奏家呂培原"十面埋伏", 加州洛杉磯 2000




Saturday, 24 November 2012

Navigation By Fingers



I've had just enough time to...   navigate by fingers


Taken on the road one dark night along a lonely stretch from Tianjin to Beijing, China


The night is dark
The road unfamiliar
The stars covered by clouds

The only light
From the smartphone
Navigation by fingers

Led us to be found

_______

Loneliness and emptiness

Since I left all behind
Only memories in my mind
Blue lights from the screen
Black universe all around
And I can't hear no sound

Everything is lost
Everything is gone
Everywhere I go
I find myself alone

Endless days passing by
I have fallen too deep
I navigate and dream
Blue lights from the screen
Black universe all around
And I can't hear no sound





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