"The sharp knife of a short life

I've had just enough time..."


- "If I Die Young" The Band Perry


I see Beauty in many things. And like the ghosts that only speak to you if you notice them, they tell me wondrous tales. With my camera and my thoughts, I captured these as faithfully as I can to share with you. And by doing so, they gave me the reasons. And though the thousand reasons may not all be sweet and some indeed bitter; they are still reasons to live. Come to think about it, that is Life, isn't it?
Showing posts with label senses. Show all posts
Showing posts with label senses. Show all posts

Wednesday, 10 July 2013

The Crossroad: A Fight In The Dark – Part II



I've had just enough time...   to avoid a fight in the dark

Someone's got my head!


During the Northern Song Dynasty, General Jiao Zan was exiled to Shamen, a desert island for killing the son-in-law of a corrupt official. Yang Yanzhao of the famous Yang family that defended the borders of China against the Liao Dynasty, ordered Warrior Ren to secretly follow and protect the general as he feared the disgraced general is targeted for assassination on the journey. Warrior Ren is a “Wu Sheng” (male character with martial skills that protects a “Painted Face” main character).


Is that my knee?


When General Jiao rested in an inn during the journey, the innkeeper who played the role of a “Wu Chou” (martial clown) sympathized with his plight and pledged to protect him. However, when Warrior Ren turned up, the innkeeper mistook him for the assassin. That night, the innkeeper and Warrior Ren put a fierce fight in complete darkness each mistaking the other to be the assassin.

 
Now where is that sneaky fellow?



There is no singing, dialogues or recitation for this portion of the play but it is easily understood and highly appreciated by the audience as it is comical and full of martial actions allowing the two characters to exhibit their martial artistry. The “Wu Chou” (martial clown) role is to me the more demanding role as in addition to the al the demands of performance, he has to make the audience laugh. The whole play is a re-acting of a fight in the dark though the stage is lighted. The only props are a chair and a table which is creatively used in the fight sequence. This is a good representation of a combat performance and the role of a “Wu Sheng” (warrior) and “Wu Chou” (martial clown).


Saturday, 6 July 2013

The Crossroad: A Fight In The Dark – Part I


I've had just enough time to...   figure a way out of the crossroad

Taken of "The Crossroad" in Liyuan Theatre, Beijing


Continuing my series on the Beijing Opera, this is “The Crossroad” where two adversaries fought in complete darkness. Each assuming the other to be the enemy. Each putting his life on the line for an honourable task. But in the darkness, is anything what they are supposed to be? When you live your whole life responding to what you see, how will you respond to it when you cannot see? Do you trust unfamiliar senses when the one you trust can no longer be trusted?


Black Spy vs White Spy


At the crossroad
a fight in the dark.
How does one fight an enemy
he cannot see? 

Will you trust senses unfamiliar
Or not trust them to be?
Is it danger that you sense
Or is it the danger, your scent?
Will you swing your sword wildly 
Or wait for the spear thrust? 
Will you wait for danger to appear 
Or step forth in the dark? 

What will you do at the crossroads?
What will you do in the dark?
Are you afraid of the discovery?
Or are you afraid of the mark?
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